Andrew Long - Images

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[PR: a project for FOUR A.M., New York]

[W, December 2004 "Hollywood & Wine"]

No title, 2016
Digitally printed paper
11 x 8 1/2" (27.9 x 21.6 cm)

PR (street view)
FOUR A.M., New York, 2016

PR, 2016
Digitally printed walls (inkjet on plasterboard, steel, screws)
2 parts, each 96 x 2 1/2 x 15" (244 x 6.4 x 38 cm)

PR, 2016 (detail)
Digitally printed walls (inkjet on plasterboard, steel, screws)
2 parts, each 96 x 2 1/2 x 15" (244 x 6.4 x 38 cm)

PR, 2016 (detail)
Digitally printed walls (inkjet on plasterboard, steel, screws)
2 parts, each 96 x 2 1/2 x 15" (244 x 6.4 x 38 cm)

PR, 2016 (detail)
Digitally printed walls (inkjet on plasterboard, steel, screws)
2 parts, each 96 x 2 1/2 x 15" (244 x 6.4 x 38 cm)

[Lack: an exhibition of collaborative work by Andrew Long and Lane Cormick]

 

Lack (exhibition view)
Bus Projects, Melbourne, 2015

Lack (exhibition view)
Bus Projects, Melbourne, 2015

Lack II, 2015
Enamel, varnish, A0 photocopy, blu-tack, agave
Dimensions variable

Lack II, 2015 (detail)
Enamel, varnish, A0 photocopy, blu-tack, agave
Dimensions variable

 

Lack III, 2015 (detail)
Enamel, varnish, A0 photocopy, blu-tack, agave
Dimensions variable

[Sway: a solo exhibition at TCB art inc., Melbourne]

 

Sway (exhibition view)
TCB art inc., Melbourne, 2015

Sway (exhibition view)
TCB art inc., Melbourne, 2015

Sway (exhibition view)
TCB art inc., Melbourne, 2015

HR, 2015
UV-cured ink, silicone and acrylic on pine, screws
2 parts, each part 120 x 4 x 1.9 cm, overall dimensions variable

HR, 2015 (detail)
UV-cured ink, silicone and acrylic on pine, screws
2 parts, each part 120 x 4 x 1.9 cm, overall dimensions variable

HR, 2015 (detail)
UV-cured ink, silicone and acrylic on pine, screws
2 parts, each part 120 x 4 x 1.9 cm, overall dimensions variable

Subject site, 2015 (partial view)
UV-cured ink, silicone, photographic emulsion and acrylic on pine, screws
12 parts,each part 120 x 4 x 1.9 cm, overall dimensions variable

Subject site, 2015 (detail)
UV-cured ink, silicone, photographic emulsion and acrylic on pine, screws
12 parts, each part 120 x 4 x 1.9 cm, overall dimensions variable

Subject site, 2015 (detail)
UV-cured ink, silicone, photographic emulsion and acrylic on pine, screws
12 parts, each part 120 x 4 x 1.9 cm, overall dimensions variable

Subject site, 2015 (detail)
UV-cured ink, silicone, photographic emulsion and acrylic on pine, screws
12 parts, each part 120 x 4 x 1.9 cm, overall dimensions variable

[Index by Andrew Long and Isabelle Sully, published on the occasion of Sway at TCB art. inc, designed by Robert Milne]

Index, 2015 (excerpt)
Softcover (unstapled), 8 pages (colour ill.)
29.7 x 21 cm

[Reciprocal Failure: a group exhibition organised by Andrew Long and Andrew Read]

 

Reciprocal Failure (exhibition view)
Goodtime Studios, Melbourne, 2014

Pose, 2014
Escalator handrail, machine-cut wooden insert, manfrotto adjustable stands, hardware
106 x 388 x 8 cm (variable)

Pose, 2014 (detail)
Escalator handrail, machine-cut wooden insert, manfrotto adjustable stands, hardware
106 x 388 x 8 cm (variable)

[Free speech directory: for group exhibitions at TCB art inc. and Tristian Koenig, Melbourne]

 

Free speech directory (vertical), 2014
Epoxy ink on aluminium, processed photographic emulsion on wood frame
2 parts, each 81 x 61 x 2 cm

Free speech directory (horizontal), 2014
Epoxy ink on aluminium, processed photographic emulsion on wood frame
2 parts, each 81 x 61 x 2 cm

Free speech directory (horizontal), 2014 (detail)
Epoxy ink on aluminium, processed photographic emulsion on wood frame
2 parts, each 81 x 61 x 2 cm

[Protective Pieces: a two-person exhibition with James Eisen]

 

Protective Pieces (exhibition view)
Utopian Slumps, Melbourne, 2013

Landscape, 2013 (detail)
Wood, glass, metal, pigment print, mirror, hardware
74 x 55 x 4 cm

Landscape, 2013 (detail)
Wood, glass, metal, pigment print, mirror, hardware
74 x 55 x 4 cm

Carbon copy, 2013
Wood, glass, plexi, metal, pigment print, mirror
54 x 35 x 9.5 cm

[Documentation on this page by Adrian Mesko, Andrew Read, Christo Crocker, and Andrew Long]